Case By Case | Samir Sirk Morató

Jonathan Nenemann via Pexels

Like, I suffered Fortuna’s thousand slights in silence. But when she insulted me, I vowed revenge.So Friday morning, while I look in the boudoir mirror, apply my smokey eye, and sharpen my eyeliner, I imagine Fortuna’s obliteration. I bear my teeth in a smile. My perfect collection of bicuspid, canine, and incisors shine at me; in the far back, the caps of molars gleam like wet eyes.

The only way they could be prettier, I think, is if they were gum-deep in Fortuna’s arm.

My phone buzzes. The vibration reverberates through the ceramic sink. I check my messages. Above all the undeleted condolences burns Fortuna’s text. That’s the perfect place for it: scum floats. The wonky 301 in her photograph dangles from her eyelid, a lash hangnail.

hey bby, she says. I’m not sure I can do the wine tasting at your fam’s place today, this is super late notice! Ty tho!

OK, nbd, I reply. My stiletto acrylics scrape my screen. I texted you bc I have 5 new wines and i bought some amontillado (??) but next time. You look good in that recent selfie, btw. That’s ur new image in my phone.

I flip my phone facedown. Fortuna frightens me sometimes, with her kilos of daddy’s gravedirt money and her serpentine stranglehold on social media, but I know her weakness: she’s a total freak for wine. As my phone buzzes in succession—one, twice, three times, four—I ice on plum lip matte.

My reflection trims every angle of my lips in purple. She’s deliberate. Hospitable. She doesn’t fester with resentment as she gazes at the photos tucked into the mirror frame. The three women in those photos ooze friendliness, including me. My reflection oozes friendliness too. In the simmering silence, I check my phone.

Ur joking, Fortuna’s first message reads. Amontillado?

I smack my lips.

Wine #1: Harlequin

Riesling. Aged 6 years.

Fortuna arrives cloaked in the aroma of sangria, designer sunglasses askew in her hair, titty tape bolting her cleavage into her deep v parti-stripe shirt. She spills from her chauffeured car and onto my driveway in a tempest of coos and fluttering fingers. Her high voice scrapes the October twilight alongside the nerves in my teeth.

“Oh my God,” she says, pecking my cheek. “Hi, gorgeous! It’s been so long!”

“Way too long,” I agree.

I loop an arm around Fortuna. I avoid brushing her when we hug. Fortuna’s wasp waist and shellacked tresses are assaults on entropy. Behind both are heaps of calorie-counting, hairspray, and calculations. Control. Cruelty vibes beneath all that Pat McGrath foundation. Fortuna sculpts her body the way she sculpts her pyramid scheme empire and list of mutuals. Sober Fortuna, anyway.

“M’am, will you be requiring a ride back?” Fortuna’s chauffeur cranes his head out of the window.

“Don’t worry.” I smile. “I’ll make sure she gets home.”

“You heard her.” Fortuna dismisses him with a wrist flick. “See you later, hun!”

Fortuna wobbles on her wedge heels as we head into my family’s estate. She points at peacocks strutting in the gardens and flashes her immaculate coffin nails. In the tasting room, Fortuna snatches the laminated sheet of wines. She moves with the grace of a sick dog gnawing at grass. Typical. As she seizes a cheese cube off the counter, I pour the first wine.

“Monica,” she says, “you don’t have the amontillado listed.”

“Not yet.” I hand her the glass. “I was a little silly. I purchased it without talking to you about it first. I’m not sure if it’s real amontillado.”

“No offense, but I’m pretty sure it’s not.” Fortuna raises her palm. “By the way, don’t bother with the wine descriptions. Your family makes good wine, but like, I’m not here for the official tour.”

“Of course, babe,” I say.

Fortuna guzzles the zinfandel. Bottles of essential oils clatter together in her purse, scraping against cat brass knuckles and hair pins: rats skittering under rotten floorboards. Half of the wine, Fortuna swallows. The other half, she spews into the tasting barrel. Her lip tar remains unmoved. The bell earrings hanging from Fortuna’s ear lobes jingle, their clear sound rattling against her clouded gaze. She’s an eyesore. She looked so garish in that hospice waiting room.

I pour the second sample of wine. It’s no splash—it’s generous, verging on indulgent. Its rich yellow body leaps up the glass sides. Fortuna’s eyes widen. She coughs into the back of her moisturized hand. Still, she doesn’t remark on it. I knew she wouldn’t. Lushes never whine about big samples.

Do dogs receive treats before euthanization? Likely not. I still hand Fortuna the glass.

Wine #2: White Lies

Chardonnay. Aged 7 years.

“This chardonnay would pair nicely with a walk,” I say. “It’s way too warm to stay cooped up. We can make our way to the cellar while we chat.”

Fortuna starts. She scrapes another cheese cube off a toothpick. “Are we taking the spit barrel with us, or? Like, I’m trying not to drink too much.”

I waltz to the door. “You’re so funny. Come on. Let’s go.”

Fortuna’s smile is messy. Her teeth are perfect, edited by years of wires and retainers she hid behind propped-up menus on Italian patios. I spent time in Rome when I was nine, as did Lenore, though none of us met until years afterwards. Lenore was immortal until she stepped into Fortuna’s footprints on a Roman cobble somewhere. The grody, greedy essence of young Fortuna engaged her to Death before Lenore even knew of their courtship. It was Fortuna’s way of trying to divert Death from seeking her instead, I’m sure.

Fortuna swirls the wine in her glass as she strides after me. We leave the tasting room and trot around a tulip-lined garden fountain. The flower heads bob, heavier than fist-sized sapphires.

“Tell me about this amontillado,” Fortuna says. “Did your family pick it up, or you?”

“I did.” I sip my chardonnay. “That was during my summer sabbatical.”

“Right. You deserved that.” Fortuna squints at one of the peahens in the bushes. “Taking care of your mental health is important. Especially when you’re grieving.”

Is the cure for grief rose oil? Is it cinnamon oil smeared behind the ears of a corpse, or a choker of chamomile? Fortuna enthusiastically recommends all those crunchy cures. She’s itching to sell me the dream. Proud Lenore sure bought it. I cannot tell this bitch that the oil I long for is her bottled blood. That is essential.

“Self care is important.” I brush my hair behind my neck. Fortuna coughs into her arm while a peahen ogles her. I dump my wine in the fountain, unnoticed. “Okay, babe. Next wine.”

“I don’t know if I want the next wine.” Fortuna gulps the rest of her glass. “You picked the amontillado, right? We should just taste that now, if it is amontillado.”

“Let’s go inside first,” I say.

Wine #3: Serpent’s Heel

Vermentino. Aged 10 years.

“Your house is so… retro,” Fortuna says, shivering, as I lock the mahogany double doors behind her.

That is not the word she wants. My family mansion is a nightmare of dripping windows, dark wood, taxidermy, and high ceilings. A century ago, the mansion’s couches and floors gathered lungfuls of choleric blood. Now, its clean walls groan with age. It’s a slab of New England cruelty pinned onto West Coast cliffs. No amount of potted palms softens its face. It is a home where mental rot and discipline flourish. Peace is not an option. White suburban brutality honed Fortuna, but this cancerous place crafted me. We are not the same.

Fortuna coughs in the cold, open foyer. Contract consumption, bitch, I think. I extract the next bottle of wine from a hallway bar to pour her a deep, olive glass of it.

“I thought this was a tasting!” she says.

“It’s to warm you up,” I say. “Drink.”

Fortuna clutches her glass to her chest while we strut down the hallway. Stuffed ravens glare at her. Moth-eaten boar heads judge. Our heels click on the polished hardwood. It takes a staff to clean this mansion, but while my family suns in San Francisco, I’ve slipped everyone a few fifties or a fruit basket to scram. When I swish the vermentino around my mouth, I taste notes of almond and lime. When I listen to the silence in the mansion, I sample something more fulfilling.

“I never noticed that snake tattooed on your ankle,” Fortuna says. “It’s cute.”

“It’s my family crest,” I say.

“Yeah, your family seems obsessed with the whole crest thing,” Fortuna says, eying a shield on the wall. “Nemo me impune lacessit. What does that mean?”

“All friends are welcome here.”

The further we creep into the mansion, the more her manicured brows knit together. The more her brows knit, the more Fortuna’s face dips into her glass. The growing slur in her voice pleases me. Every time she stifles a cough, I sip. We flit closer to the cellar.

Fortuna’s discomfort illustrates her alien nature. Lenore’s childhood house of ghosts twinned mine. Her upbringing made her vulnerable and vain in a way neither Fortuna nor I are, but before her death, she and I were a perfect pair. Two hot ghosts that knew no one could wrong us without consequences. That isn’t different now, even if I’m alone.

“Seriously,” Fortuna says. “You don’t have to do this for me. I don’t want to trespass.”

“It’s totally not a problem.” I brush a moth off my silk skirt. “I invited you.”

Guilt dances on Fortuna’s face, then relief, which is how I know she hangs on the cusp of drunkenness. Sober Fortuna feels nothing but opportunistic joy.

“I thought you were mad,” she says, “after the whole—”

“I’m not mad.”

“Oh.” Relief greases Fortuna’s limbs. She throws back the rest of her glass. I retrieve the next bottle from a wine shelf. Upon returning, I find Fortuna sprawled on the fireplace, looking every inch the fool. She takes a mechanical sequence of selfies with a gargoyle before lurching towards me. Fortuna cocks her hip and twists her camera to encapsulate us both.

“Let’s take a photo together,” she says. “For old times sake. Ugh. I wish Lenore was here! I miss drinking with her.”

My blood boils. Lenore’s pale hand drapes in mind again, her emaciated wrist cloying beneath the odors of death and eucalyptus. I grit my teeth. All of my heartbreak and depression-fermented fury mean nothing if I don’t channel them to rectify how I’ve been wronged.

“I miss her too,” I say. “She would love this.”

As if! Fortuna mocked Lenore more than she loved her, both online and in life. Fortuna swells. Preens. Picks her golden angle. She strangles a cough. I hope dear Lenore watches us now, if only to witness the treat I have planned later. Fortuna and I pose for the camera.

“Kisses,” Fortuna crows.

I smile, imagining her in flames: a blazing tallow pillar melting into a lump of make-up and corpse wax.

She winks into the shutter.

Like, Luchresi

Sherry. Aged 12 years.

Fortuna adores luxuries. Monetized grifting, coconut water, wine tasting… prolonged suffering.

“I’m about to blow chunks,” she says, leaning against the cellar door, wane.

“Babe, I’m so sorry.” I stay three stairs down, a stain of sherry lingering in my glass. Fortuna has half a glass left. “I didn’t know things had gotten this bad. You’ve been keeping up on your IV cocktails and aromatherapy, right?”

“Yeah.” Fortuna squeezes her eyes shut. “It’s the new diet. It’s taking a lot out of me. And you know how I feel about carrying an inhaler. Whatever. Sorry about this.”

“Don’t worry about it.” I sigh. “I shouldn’t have dragged you out here for that amontillado. I bet it’s sherry. I def dropped the ball. You should go home and take care of yourself. Have a cup of tea and a nice collagen mask. I’ll call Lucy. She can tell me what it is.”

Fortuna straightens. Her earrings jingle. Indigent jealousy wildens her eyes. Her brilliant clothes and milk skin make her a blinding silhouette against the cellar door. Fortuna clutches her stomach.

“Lucy?” Fortuna’s teeth gleam purple. All of her whitening sessions fail her now. “Lucy? Girl! Lucy can’t tell amontillado from sherry! She can’t even tell sewer water from sherry!”

“Maybe she can’t, but like, Lucy knows better than me.” I study my nails. “I don’t want to ask too much of you. Not after you visited Lenore in the hospice.”

Spiritually, Lucy twins Fortuna, which is perhaps why they hate each other. In some past life, in some kegel-tightened womb, Lucy was the wad of tissues who gnawed Fortuna’s throat out with her miraculous fetal teeth. The victor. Fortuna never forgave her for that. One just knows these things. Lucy now is a full-bodied, full-voiced influencer garbed in Haute Couture and backhanded compliments. The last time she supped with Fortuna, they tittered with compliments in the cocktail lounge and wracked up a $300 bill. That whole evening, Lucy eviscerated her beat before millions on Instagram.

They are similar breeds of intelligent idiot.

“Not Lucy!” Fortuna struggles upwards. “Monica, you have to show me this amontillado.”

Fortuna’s confidence eclipses her pain. That long-suffering look convinced Lenore to empty a fortune into her hands. One lock, frozen by hairspray, hangs rigidly against her forehead.

“If you insist,” I say.

Médoc Descent

Cabernet Sauvignon. Aged 15 years.

“Do you know what I miss?”

“Tell me what you miss,” I say, pouring a glass of cabernet sauvignon.

The cellar is a cave cluttered with honeycombs of aging wine and titanic racks of wooden and steel barrels. Earth entombs us. All of the wine corks create a facsimile of fungi sprouting from the wall. No one steps down here besides family. Fortuna sprawls on the stairs at the bottom, legs askew. She reeks. One of her unbuckled heels hangs from a curled finger. The other lies on the floor.

“Lenore was such a sensitive person,” Fortuna says. “Like, she took advice from friends seriously. She for sure wasn’t so open-minded that her brain fell out, but if you could make a case for something, she would listen. Everyone else I know is way, way too stubborn for that. You’re too stubborn for that. Maybe that’s why Lenore was so gorgeous. She knew when to take advice.”

I press the wine glass towards her instead of smashing it into her head.

“I’m super drunk,” Fortuna mumbles. “I shouldn’t have anymore.”

“No, gorg, you should,” I tell her. “Treat yourself.”

 A cough lodges in Fortuna’s throat. Quivering, she claims her glass.

“You’re not still angry at me about Lenore, right?” Fortuna says. “I know you two were close when she passed, even if like, I broke you two up with the essential oils thing. She died so young.”

“Of course I’m not angry,” I tell her. “Who do you think I am?”

“You hold grudges, Monica. I’m fairly sure you think I killed her.”

Fortuna stares at me, wary, red wine dribbling from her mouth. I fix my gaze on the cellar wall. Halloween encroaches. To keep things seasonal, my family plastered rhinestone-studded paper skeletons on the walls. They swim in the murk, mandibles agape, phalanges extended in a freestyle. They’re chic, but they’re a poor substitute for the real thing. Diet necrosis. I drink. The cabernet is velvety. It’s fuller than blood in my mouth. I study the twister of silver skeletons encircling the cellar wall. If I look at Fortuna now, I’ll shred her face apart.

“Me? Hold grudges?” I say. “Never. Like, you had the best intentions when you introduced her to holistic medicine. Lenore didn’t want to try chemotherapy anyway.”

The wine stem boils between my fingers. Fortuna tips into a coughing fit.

“Lenore’s looks was one of the only things she had control over, which you pointed out, so… it gave her a sense of peace. Plus, it’s hard to tell if essential oils or mainstream medication works better.”

I find my composure. I turn. I smile.

“Lenore made her choice,” I say. “It’s all behind us, Fortuna.”

“That’s great. The amontillado is in front of us, right?” she says.

“Not quite yet.”

De Grave

Malbec. Aged 18 years.

When I first point to the empty wooden barrel—the one I commissioned for this occasion—Fortuna laughs her ass off at my suggestion. “Monica.” She giggles. “Do you seriously want me to get in that barrel for a photo?”

“Seriously.” I twirl my hair. “I’ll help you get in. Can you imagine what a fun shot it will be? The potential captions are endless. You’re intoxicating, you’re a taste, you’re delicious—”

Fortuna is laughing. “Oh my God, stop.”

“It’s a gag photo, babe,” I say. “It will be a reminder we had a fun night. No posting necessary.”

Fortuna shakes her head. By the time I grant myself a taste of malbec, she’s game. Drunk Fortuna caves so easily. I pour her a sample of the malbec, too. Fortuna gulps it.

“This is going to be so funny,” she says. “You’re weird, Monica. I love it.”

“It’ll be a total riot,” I say.

The skeletons watch Fortuna struggle to climb into the barrel. They whisper when I boost her in. She crumples at the bottom with a crash and a hoot. Her giggles echo against the oaken walls. I toss her heels in after her.

“Hey, hey!” Fortuna laughs.

“Give me your phone,” I say.

Fortuna’s coughing escalates. She shakes. I snatch her phone from her fist. Crash diets and years of ditching her hideous navy inhaler have cracked her. Fortuna’s glass shatters in the barrel with her. She shrieks.

“Hang on, Fortuna,” I call, grabbing our final wine. I uncork the hole drilled in the barrel lid. “I’m coming!”

“I cut my leg.” Fortuna chortles. “I’m bleeding.”

“Don’t hurt yourself too badly.” I offer her a glass brimming with tawny wine. “You need to try this amontillado for me first.”

Fortuna is babbling with excitement when I pop the barrel lid in place.

“Monica.” Her echoes sound baffled. “You didn’t take a picture.”

“Don’t worry about it.” I fetch a shovel, glee in my heart. The metal scrapes the floor.

“This is good amontillado. Like, you picked it well, somehow.”

A velvet spaghetti strap descends my shoulder as I hoist the shovel. Its head outshines silver: a gem far more precious than rhinestones or the Cartier hoop in my nostril. My muscles ache exquisitely as I hold the shovel at the zenith of its arc. I hold my breath; I listen to Fortuna ramble. I think of glass shards piercing her shin. The IV in dying Lenore’s arm.

Fortuna’s coughs christen the barrel. “I’m cold,” she says.

“Ssh,” I say. “Sssh. Can you hear that?”

The shovel trembles. I am all burning nerves. I am the pendulum before its down-swing. The barrel waits for me, Fortuna its liquidizing treasure trapped inside. I don’t need a shovel for this. But a night of wine tasting isn’t complete without a concerto.

“Hear what?” Fortuna says.

In Pace Requiescat

Amontillado. Aged 23 years. Oak barrel.

I swing the shovel onto the barrel lid. It clangs. Fortuna screams.

“Oh, my God.”

Another arc. Another ringing thwack.

“Monica! For the love of God!”

Another thwack.

“Monica!”

Fortuna thrashes in the barrel. Her bells jingle in one crash of noise after another. She screams until a splatter of vomit silences her. The shovel clatters to the floor. I grab the hose. I crawl to the side of the barrel, gorging on Fortuna’s misery.

“It’s a joke, Fortuna!” I croon. She blubbers. I fit my fingers against the barrel’s sides to drink the vibrations of her misery. Tenor for tenor, I match the artificial concern she had at Lenore’s bedside. “Like, take a joke!”

Fortuna hiccups in confusion. Hysterical laughter follows. I feed the cellar water hose through the hole in the barrel lid. How generous of me, I think, to bathe retch-flecked Fortuna. I’m sure she savored the notes of fear in her vomit.

“This is cruel, Monica,” Fortuna says.

Real grief graces her voice now. I test the hose. It’s secure. The barrel’s grain caresses my palms. My skirt scrunches against the wood. Unbidden, I smell death and eucalyptus again, mixed in with the ethereal, oak and tobacco taste of amontillado. A staccato of Fortuna’s hacking turns to puking again. A bell clatters against the bottom of the barrel.

“Kisses.” I tremble in relish. “You’re going to age like fine wine.”

“Monica,” Fortuna moans. “Please, dear god.”

“Oh, babe,” I say. “God isn’t listening.”

I slowly, slowly turn open the hose.


Samir Sirk Morató is a scientist and an artist. They love pulp. Some of their work can be found in Catapult, The Dark Sire, and Prismatica. They are on Twitter and Instagram @spicycloaca.

[Untitled, for Danielle] | Moriah Painter

Mark Stebnicki via Pexels

Sometimes, the scent of spearmint
bends you in half, nearly breaks you open in
the middle of the garden department at Walmart.
Sometimes a peach, overlarge, left
on the tree too long, bursts
across your tongue with
the flavor of tears and Listerine.
Sometimes a burgundy lily stops
time and a bag of Miracle-Gro
is the cure for cancer and absence and oblivion.
Some grief is ungovernable.


Moriah Painter (she/her) is a cancer researcher, freelance editor, and accessibility champion from North Carolina. She is on a sacred quest for the perfect sugar-free pie recipe. Tweet @MoriahPainter

bootstraps | Zara R. Ahmed

Nathan Cowley via Pexels

you,
with your twinkling eyes and chrome heart
overflow with opportunity
life designed to give unto you endless ease
academic airlifts and trust fund entitlement
all to fulfill your dreams of attaining riches
looted from the palms of those who,
unfortunately,
could not be born so lucky.


Zara R. Ahmed (she/they) is a South Asian poet from Toronto turning her nightmares into art. You can read her work on instagram at @ahmzers.

Not Blood or Ichor but a Secret Third Thing | Matthew Gleason

Berthold Grunhaven via Pexels

There is not a word for what I truly am. I am claws and teeth, hunger, cruelty and rage. I am the thing that consumes and is not consumed. I exist within a large egg. In the beginning it was white but with the passing  of time it now looks more like a gray stone or boulder. Mostly I stay within the egg. I sleep. I do not dream. I wait. I wait for blood to drink and meat to tear and bones to crack open and suck the marrow from. You ask me where I am? You ask how I can go undiscovered. The trick is simple. No one cares about a big rock in the desert or in a stream in a field or all the places this land around me has shifted into. Well they don’t care  until they bleed.

I was there when the land was new. I watched the critters crawl from the vastness of the sea.  They were more like the slugs of later days than fish. They had what was not quite webbed feet and not quite flippers. They were hilariously repulsive. I ate one then. It resisted only for a moment. Its blood tasted salty and pure. I can still taste it now if I try. After I had a few of those early land dwellers I closed myself back up within the egg. I waited in the dark.

Ages passed. I hatched from time to time and drank my fill of mortal blood. It was the blood of man and its ancestors. It was the lifeblood of the thinking beast. It was glorious. Death was my gift both to give and prosper from. Today I emerged from the egg. The world around me was metal. There were silver flashing towers dotting the horizon;even the ground was  hard and cold as iron.

The air tasted empty. It crept up my singular nostril giving only the impression of absence. Time passed in a sickening silence. A figure appeared from the emptiness. It was in the shape of a man or woman or one of the lesser angels but it was none of those things. It shined in the light like a silverfish.

I struck at the thing with my thirsty tentacles. There was the shock of lightning through my body as the being attempted to fight back in some strange manner but ultimately it went limp and succumbed to my strength and might as so many before had. This was right. I ripped open its cold hard neck. There was fluid just as I expected but it was different. It was a deep blackish green. It burned and smoke. Still it took me several seconds to release the thing and give up. The flavor though awful was superior to nothing which was my only alternative. Still it is poison to me and it would do. For the first time in eternity I don’t know what to do. I can sense this world is lifeless. The thing  which I  attacked and now understand is not alive twitches at my feet. It shouts commands in a cold and unemotional voice. I will not “Repair the device.” I destroy. I kill. That is my role. I will wait for blood even if there is none.  I have no choice but to be the monster. Someone surely must play the other part eventually. I will wait. I must wait.


Matthew Gleason is a cryptid from West Virginia. You can find them on Twitter or Facebook as Matthew J. Gleason writer.

I’ll Do It Tomorrow. | Jurnee French

cottonbro via Pexels

These words a nightly habit, clinging to the end of my tongue like rancid, elastic bile. An
addiction may come as naturally as a breath or the food (you so choose) to swallow. But her form eats away at you, your bone marrow, your anaemia evincing as you try to stand. But you seem healthy, look fine, they say. Maybe even glow. At brink of day I lay with gnawing sheets, curled-up limbs, and I wonder: Where does the boundary between a behavior and a diagnosis lie?


Instagram: jurneeleefromunderthecorktree

Cat Bite! | Matt Gulley

via Pixabay

The most supreme loaf
In the apartment-kingdom
Shows his subjects grace –

That is, until benevolence
Is interrupted by the cat mind
The king is an animal still.

And often a loafing epoch
Is pierced with frenzy,
No government can long endure,

And my hand, or Jenna’s leg
Falls victim to fangs, just so –
The unvarnished prelude of hissing.

Cat Bite!
In this house of all houses –
A scolded king now banished from the bedroom.


Matt Gulley attended Wayne State University in Detroit and the MFA program at Long Island University in Brooklyn. He resides in Brooklyn with his girlfriend Jenna. @selfawareroomba on twitter dot com

You Don’t Break Me… | Garth Ferrante

Steve Johnson via Pexels

YDBM… 123 (Tell me:) a cutup of chance encounter no. 2 by Sienna Liu

Apologetically, it couldn’t have been so in ’95—
Everything was expiring then and I never knew
Till, finally, I was walking down the aisle and saw
Myself as one with an entire outlook that was
Expired. It shook me, I tell you—it shook me to
See a corpse where I should’ve seen myself happy,
And with no one around except the corpse to feel
Crowded by (no one and nothing)…it wasn’t a pleasing
Thing, the thing I’d become.
But how was your afternoon, and your emptiness?

YDBM… 124 (“Yes” to Alaska and all points above) a cutup of The Anthropomorphized Bear by Z.H. Gill

It was a bonafide thing, you telling me you’re unafraid
Of the animals that cursed this truck bed—
For a moment, as I was thinking these words, I imagined
Us together, anthropomorphized from the things we
Are in your head into two people replying “yes” to
Whatever the question is—
Yes, we will be here for each other,
Yes, we will bite our way through the world right on
Through the next one, too—
Yes, the god of the mountains is calling us, so we will
Leave together to say “yes” to him too.

YDBM… 125 (Plum ready to say goodbye) a cutup of Your Girlfriend As an Overturned
Shopping Cart by Cathy Ulrich

Wire and say you’re okay—this pouring out should be the last—
Wrap me in the black of your future (again)—I will be taken into
Custody by the Black Goat of the Woods that can only belong to
You—I will hold your purse as you scream your manifesto
Slinging ice-cream plates and wrecking everything you own—
You aren’t quiet when you cry, which is why I close the door to
Your bedroom on your birthdays, always, and lay my head down
On your couch waiting and waiting and waiting for the day you
Untangle the petite from the hambone, pick out the thing of
Suicide that can never be laid at my feet—

YDBM… 126 (Hell is overdrafted) a cutup of Easter by James Thad

For you, I am very late, but it’s taken a lifetime to get by
The traces of what was to what is—no more waiting, I’m
Curling up in a treasure chest with no treasure—and since
I’m no salesman, have never, could never be one to sell
Myself to you, I’ll stay anchored here and looking up at
Whoever happens upon me later on—I know it will be much
Later, that they will not wonder at me as a mystery, only how
To get rid of the thing that is me—I’ve lived many years on
And off Earth: I can afford to drift away inglorious, waiting
For the words from God’s mouth to fill mine with hope that
I am forgiven and Hell is not overdrafted.

YDBM… 118 (Given to the God of Her) a cutup of Widening Circles by Ranier Maria Rilke

I, I , I , I , I, I, I and still thousands of questions
Await that do not involve me. To ask about them and
Their lives and everyone they have come to love and
All they’ve let go of—
Why not reach across the world separating us all to
Complete what still refuses to be completed:
A primordial self in denial that a storm will not save
It, that a god cannot save it, that a woman cannot
Save it—
Only a truth at the heart of those questions that
Have nothing to do with me and the widening circles
That leave me incomplete—

YDBM… 97 (Mind turns to worry) a vague cutup of The Poems I Am Not Writing by Mary Kinzie

Mind turn to worry, heaven turned to woe—
Woman was the answer, woman was a “no”—
Solar-powered angels promised light into the dark—
Fifty doesn’t seem so bad, but 50 is only a spark—
A start of something walking toward its end—
Something that promises to be your friend—
But death and time and have not been kind—
And you are nothing of what you used to be—
So says the voice that never ends, that never trips—
The voice that never falls the way you fall—
The voice that laughs as you cry, that will live on
After your death—

YDBM… 98 (Dead) a vague cutup of All heart float… by Margaret Atwood

I’m the one who drowned in no water, just whatever was
There I didn’t want to be there, just whatever wasn’t there
I knew I couldn’t take anymore.

YDBM… 90 (Us smiling at each other) a vague cutup of Ongoing by Jenny Xie

It was a threadbare study, you and me on the bed, on
The floor, finishing each other’s lines thinking romance was
This very thing we were doing—just words, you know?
But being who we were, we never could have seen
Just how separated we always were and always would be—
Your experiences never identified by me, nor mine
By you…it was the definition of sadness and loneliness in
A crowded room where a crowd was just me,
Just you—

YDBM… 79 (Maw) a cutup of Back Suplex by Clem Flowers

I used that word once, but never again—
It reminded me of the dark times before I ever was
The end of the earth they believed was a giant maw
A grove of nothing, a pit of beasts, and every man
A pearl to be devoured and enjoyed—
It’s yesterday’s velvet that asks me if I’d like to
Return to the narrow spot under my father’s bed,
Where I held myself between box spring and abrasive
Synthetics (green, faded green, covered-in-dust green)
Till the horrors devouring me could be put back behind
My eyes again and the world set spinning
Without end.

YDBM… 128 (Miss Debbie (version)) a cutup of i carry your heart [& hand] with me [even as we close / i leave / they shutter the shop] by Jen Schneider

It’s unfair to all parties involves, you thinking of her so many years on—
What’s there to think about, really?—you hung out the one time, and only
Because you were dating her friend—greetings from ’91 to ’95 and no
One wants to know you, especially her—scorpion moons and she’s still
Dancing on that bartop…a hundred years after, a thousand, and you’re
Stretching yourself because all the signs point to one who is sad and lonely,
Though you hate that word because it makes you sound desperate and
Alone—isn’t that what loneliness is though, being alone?—no, no: loneliness
Is when you’re uncomfortable with being alone, and this hasn’t been the truth
For you in many, many years—she danced on that bartop, you know, because
She had to, not because she wanted to—it was “part of the job” is how she
Put it and you wondered many things about her, about what would happen
To her when she left that place because of her belief in what needed to be
Done, and because you knew she knew it was all an affront to her kind—so
Much for wanting to think of peppermints and mistletoe when you thought
Of her, and so much for asking her what “might’ve been” because you know
The answer already—

YDBM… 129 (Sad member of the living dead) a cutup of Azaleas by Ether Lin

Smile when you remember you’ve got nothing but
Death before you—no, it’s not “too much,” it’s only
A truth you said you were committed to—the photos
You refuse to look at say it all: smile now because
You’ll be crying later.
Don’t obey, see how far you go because it all leads
Right back here with you telling them “My mother
Was never a mother” and ignoring her for what remains
Of both your lives—you don’t cross your arms anymore,
You don’t think the word “screaming” is the most
Beautiful in the English language, you are gill-sick, green-
Sick, gut-sick when you recall your mistakes and how
You’d do it all differently:
Not begging to be with them, not asking what was next,
Not giving them hatred and silence when you might have
Found peace within by making peace with them, or
Trying—between the sun and the grave, it’s no longer a
Contest which one wins, but which you want—
If it’s the sun, know there is nothing more to resort to, but
If it’s death, just keep doing as you’ve always done.


Garth Ferrante is a complete unknown who writes because he loves to, because he finds meaning and purpose in it, because if he didn’t, life would be lifeless.

The Body | Raisa Reina

Life of Pix via Pexels

Choking isn’t noticeable anymore
Burdens morph into usual problems
I can talk
           a
             r
               o
                 u
                   n
                     d
                       i
                         t.
The force sways

It festers and lingers and whispers
Stay! Stay! Stay!
Racketing around my skull
A whisper is a scream
The body always has much to say

I always carry the body
It follows where I go
Enveloping me in its inner folding,
Wrapped around my heart,
Teeth growing from my wounds,
Each vessel contains a shadow
Tugging it away

It lingers a second behind
Making its presence known
Step. Thud!
Step. Thud!
Step. Thud!
T
H
U
D!
Its sentient goal
to hold me captive.

I am weightless
as I reach for the sky
The body sinks against the floor
The weight gets heavier each passing day
A ten ton monster who looks like me,
Embers of the lungs suffocate my throat
Darkness lingers at the edge,
a half seen ghost in my periphery
But the sky
BRIGHT AND SHINING AND LUMINOUS
THE SKY IS RIGHT THERE!
But The body tugs
And I reach for it

Today
           the body
                      has won,
                                            But tomorrow
                                            the fight begins again.


Raisa Reina is a 24 year old writer with a BA in Human Development. She is currently editing her first novel. She was previously published in The Telescope and Six Sentences. Twitter @thehahafactory2.

five dollars for speeding | Rachel Velebny

Spencer Selover via Pexels

what do you owe for an open road
beware the wind whipped ease
blurring sky, pavement, and pine
freedom ending never
no warning of self-built barriers
closer than they appear


Rachel B Velebny is a writer and poet currently based in Barcelona, Spain. Her writing, and life, are driven by curiosity and a longing to experience the edges of everything. twitter @rachelbvelebny

Iroh | Nathalie E. Amazan

via Nickelodeon

Happiness is a thief of Wisdom.
I’d rather be Wise than the happiest day of my life like
Uncle Iroh burning his identity to clumps of ash and black smoke
while lighting the path towards his free home.


Nathalie E. Amazan (she/her) is a Haitian American poet from Long Island, NY. Her writing strives to create more peaceful ways of being. You can find her writings @natamazan on all social platforms.

For Immediate Release | Abigail Crofton

Pavel Danilyuk via Pexels

FOR IMMEDIATE RELEASE:

Beloved Children’s Book Author to Lead B.I.G.O.T.S

(London, England)  Her Holographic Majesty, Queen Elizabeth the Last, announces the appointment of A.S. Howls, the author of the best-selling Rich Whitgoode, Boy Pilot™®℠ series of books, movies, television shows, video games, snack foods, and personal hygiene products, as the new leader of the Queen’s Bureau for the Immediate Growth of Traditional Sensibilities (B.I.G.O.T.S.).

Mrs. Howls has graciously accepted this honour with the following statement:

“As a wife, mother, author, and, most importantly, the wealthiest person in the country, I take my duty as a protector of children and womanhood with the utmost seriousness. A plague of gender confusion has run rampant for too long in Western society. Now that the great nation of England has freed herself from the traitorous parasites who have turned their back on freedom to join the New World Order we will redouble our efforts to reinforce traditional values in all parts of society. Men will be strong, women will be mothers, and our children will be guided by the loving but strict hand of Her Holographic Majesty’s Fun Time, All the Time boarding schools.

“The Fun Time, All the Time schools have minimized student distractions and maximized academic instruction in the short time they have been operational in scenic locations throughout the country. The unexplained disappearances of several disruptive children have allowed more instructional time for the children who have not escaped.

“While our children, tucked into bed behind Her Holographic Majesty’s iron walls, are safe, English women are still at grave risk. Women’s spaces have become invaded by the beards, and discussions of menstruation have fallen to an all-time low. As my first duty as the new chief of the B.I.G.O.T.S. I am delighted to announce a new program in conjunction with Rwanda, England’s most important international partner. Rwanda has graciously agreed to accept and imprison those certified by the B.I.G.O.T.S. as gender deviants. This program will lead to trials and executions that will not only be swift but also more cost-effective than if the legal proceedings remained in England. These savings will be passed on to the average taxpayer as tax benefits for all those with more than six houses to their, or their corporation’s, name.

“As the incomparable Boy Pilot™®℠Rich Whitgoode™®℠says, ‘I’m not fighting against the New World Order for fame or fortune. Me and my trusty plane, the Freedom Flyer™®, fight for all those other kids held as prisoners in the basement of pizza restaurants all over the world.’

“God bless Her Majesty the Holographic Queen and the server she resides on.”

This press release is sponsored by the fourteenth movie in the Rich Whitgoode™®℠ franchise, Rich Whitgoode, Boy Pilot, and the War Against Woke™®℠, only available in the metaverse. Payment is accepted in Bitcoin, Ethereum, or Richereum, the official cryptocurrency of Rich Whitgoode, Boy Pilot™®℠.


Abby Crofton is a queer author who writes about love and other dangerous topics. She lives in Maryland. You can find her on Twitter @abby_crofton.